Hope, Votes & Bullets

by Ashtary Design on October 10, 2010

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Over the past year, Tori Egherman, Kamran Ashtary, and Hamid Tehrani have been working on the book Hope, Votes & Bullets, which is currently available.

Here is the text of the introduction:

A few days before the election, a friend called from the middle of hundreds of thousands gathered in Azadi [Freedom] Square in support of reform and wearing green. “Can you believe what we have done?” We heard the hope and excitement in his voice. “I am in the middle of half a million people,” he told us. “We are changing Iran.” A few years earlier he had told us that he would never ever get involved with politics again. He had been a student activist in the late 90s and felt betrayed by the regime and his fellow citizens when the movement was violently dispersed and many of its participants imprisoned, some for years. Now our friend was full of hope. How could we help but feel otherwise?

This book was born from that hope. It started with email chats and phone calls and ballooned into a major undertaking that will likely be an ongoing project for years to come. The three of us working on collecting the material shared a love for Iran, a passion for blogs and blogging, and a strong sense of the imperfect power of democracy. We shared a connection, both virtual and physical. We had all been up nights blogging about the campaign in Iran, talking to strangers, friends, family: anyone who would share information about what was happening on the streets.

Since the election, we have collected blog posts, images, and articles that reflect the immediacy of the year in Iran from the flawed elections to the silent marches, to crackdowns, executions, torture, and rape; from Where is my vote to I demand my rights, from reform to activism, wrongs to rights, revolution to evolution and back again.

This is a personal collection, filled with raw emotion, interspersed with more measured reflection. Journalists, writers, filmmakers, academics, activists, bloggers, artists, cartoonists, and bloggers have all contributed. The book honors the diversity of their voices and opinions.

This book does not tell the whole story and does not try to. There are many voices, too many for any book to ever give a complete view of what happened over the past year in Iran.

Several of the authors have chosen to remain anonymous, others are named. Some have written specifically for this collection, others have agreed to allow us to reprint their work.

This is a shared effort with many voices and images; it is a labor of love, framed in a design that gives life and power to the words and the events behind them.

Read more at the book’s website.

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The Demon Runs Wild

by Ashtary Design on June 20, 2009

The Demon Reveals Himself

The Demon Reveals Himself

Last Friday, June 12th, was an historic presidential election in Iran. Many of our loved ones were campaigning for reform in Iran. When the overwhelming landslide for Ahmadinejad was announced, it sparked an initial despair so overwhelming that people felt there was no hope at all for reform. I went to sleep with the dashed hopes of millions and dreamed of a demon right out of the Shanameh. Here is what Wikipedia has to say about this demon:

This painting represents an episode described in Firdawsi’s “Shahnamah” (The Book of Kings), the epic story of ancient kings and heroes of Persia composed by the renowned author during the first decades of the 11th century. The text on the fragments recto and verso describes the painting. King Khusraw summons Rustam to help him stop a demon (div) disguised as a wild ass that is ravaging of the royal herds. After three days of unsuccessful battle, the hero falls asleep in the grass. Thereupon, the Div Akvan casts aside his disguise, resumes his demonic form, rushes towards Rustam, and digs up the ground around the hero. He gives Rustam the choice of being thrown against the mountains, to be eaten by lions and onagers, or cast into the sea, where he would drown to his death. Knowing that the enemy would do the exact opposite and realizing that, if cast to the sea, he would have a chance to swim to survival, he asked to be thrown against the mountains. Rustam is cast to the sea, swims back to the shore, and returns to defeat the demon in combat.

In this image, the demon is running wild through a camp of Iran’s revolutionary guard. The photo was taken by Kamran Ashtary.

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